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	<title>On the Aisle</title>
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	<link>http://blog.theaternewsonline.com</link>
	<description>Matt Wolf surveys the London/New York scene</description>
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		<title>SIMON SAYS</title>
		<link>http://blog.theaternewsonline.com/index.php/2009/06/24/simon-says/</link>
		<comments>http://blog.theaternewsonline.com/index.php/2009/06/24/simon-says/#comments</comments>
		<pubDate>Wed, 24 Jun 2009 15:46:58 +0000</pubDate>
		<dc:creator>Matt</dc:creator>
				<category><![CDATA[London Theatre Reviews]]></category>
		<category><![CDATA[Add new tag]]></category>
		<category><![CDATA[Bridge Project]]></category>
		<category><![CDATA[Kerry Ellis]]></category>
		<category><![CDATA[Major Barbara]]></category>
		<category><![CDATA[Nicholas Hytner]]></category>
		<category><![CDATA[Shaw Theatre]]></category>
		<category><![CDATA[Simon Russell Beale]]></category>
		<category><![CDATA[The Old Vic]]></category>
		<category><![CDATA[The Seagull]]></category>
		<category><![CDATA[The Winter's Tale]]></category>

		<guid isPermaLink="false">http://blog.theaternewsonline.com/index.php/2009/06/24/simon-says/</guid>
		<description><![CDATA[It&#8217;s long been one of the abiding amazements of the British theater that not only can its practitioners do what they do to a generally very high standard, but they can also explicate their craft &#8211; make that  art &#8211; with unerring eloquence and grace.
All of which helps to explain a packed house on a recent Sunday [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<item>
		<title>TOTALLY F***ED</title>
		<link>http://blog.theaternewsonline.com/index.php/2009/05/14/totally-fed/</link>
		<comments>http://blog.theaternewsonline.com/index.php/2009/05/14/totally-fed/#comments</comments>
		<pubDate>Thu, 14 May 2009 09:16:24 +0000</pubDate>
		<dc:creator>Matt</dc:creator>
				<category><![CDATA[London Theatre Reviews]]></category>
		<category><![CDATA[Add new tag]]></category>
		<category><![CDATA[Aneurin Barnard]]></category>
		<category><![CDATA[Caroline]]></category>
		<category><![CDATA[Charlotte Wakefield]]></category>
		<category><![CDATA[Contact]]></category>
		<category><![CDATA[Grey Gardens]]></category>
		<category><![CDATA[Jeanine Tesori]]></category>
		<category><![CDATA[Jersey Boys]]></category>
		<category><![CDATA[Julia McKenzie]]></category>
		<category><![CDATA[La Cage Aux Folles]]></category>
		<category><![CDATA[Mary-Louise Wilson]]></category>
		<category><![CDATA[Michael Mayer]]></category>
		<category><![CDATA[Movin' Out]]></category>
		<category><![CDATA[Novello Theatre]]></category>
		<category><![CDATA[or Change]]></category>
		<category><![CDATA[Quentin Letts]]></category>
		<category><![CDATA[Scott Ellis]]></category>
		<category><![CDATA[She Loves Me]]></category>
		<category><![CDATA[Spring Awakening]]></category>
		<category><![CDATA[Terry Johnson]]></category>
		<category><![CDATA[Tony Kushner]]></category>

		<guid isPermaLink="false">http://blog.theaternewsonline.com/?p=104</guid>
		<description><![CDATA[Well, that got your attention, I trust.
The reference, of course, is to a song title from the multi Tony Award winning musical Spring Awakening, which this week confirmed news that had been making the rounds for some time now: the West End transfer to the Novello Theatre is closing May 30 after barely two months, [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<item>
		<title>TONY TIME</title>
		<link>http://blog.theaternewsonline.com/index.php/2009/05/05/tony-tweaks/</link>
		<comments>http://blog.theaternewsonline.com/index.php/2009/05/05/tony-tweaks/#comments</comments>
		<pubDate>Tue, 05 May 2009 15:40:34 +0000</pubDate>
		<dc:creator>Matt</dc:creator>
				<category><![CDATA[London Theatre Reviews]]></category>
		<category><![CDATA[Alan Ayckbourn]]></category>
		<category><![CDATA[Amelia Bullmore]]></category>
		<category><![CDATA[Ben Miles]]></category>
		<category><![CDATA[Billy Elliot]]></category>
		<category><![CDATA[David Bologna]]></category>
		<category><![CDATA[Diane Paulus]]></category>
		<category><![CDATA[Hair]]></category>
		<category><![CDATA[Harriet Walter]]></category>
		<category><![CDATA[Janet McTeer]]></category>
		<category><![CDATA[Kristin Scott Thomas]]></category>
		<category><![CDATA[Matthew Warchus]]></category>
		<category><![CDATA[Old Vic]]></category>
		<category><![CDATA[Olivier Awards]]></category>
		<category><![CDATA[Stephen Daldry]]></category>
		<category><![CDATA[Stephen Mangan]]></category>
		<category><![CDATA[Tony Awards]]></category>
		<category><![CDATA[Tovah Feldshuh]]></category>

		<guid isPermaLink="false">http://blog.theaternewsonline.com/?p=99</guid>
		<description><![CDATA[So, the nominations for the 63rd annual Tony nominations are now out there, and once again they speak with a distinctly British accent &#8211; as will many of the likely recipients June 7 in what may well be, and hardly for the first time, a love affair between Broadway and the theatrical motherland.
You thought Alan [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>A LOTTA NIGHT MUSIC</title>
		<link>http://blog.theaternewsonline.com/index.php/2009/04/26/a-lotta-night-music/</link>
		<comments>http://blog.theaternewsonline.com/index.php/2009/04/26/a-lotta-night-music/#comments</comments>
		<pubDate>Sun, 26 Apr 2009 23:31:28 +0000</pubDate>
		<dc:creator>Matt</dc:creator>
				<category><![CDATA[London Theatre Reviews]]></category>
		<category><![CDATA[A Little Night Music]]></category>
		<category><![CDATA[Andrew Lloyd Webber]]></category>
		<category><![CDATA[Hannah Waddingham]]></category>
		<category><![CDATA[Prince of Wales Theatre]]></category>
		<category><![CDATA[Trevor Nunn]]></category>

		<guid isPermaLink="false">http://blog.theaternewsonline.com/index.php/2009/04/26/a-lotta-night-music/</guid>
		<description><![CDATA[What do you do on a Saturday night - not in any way alone, as the Stephen Sondheim song lyric has it, but in the company of what would seem to be half the West End? Last night, at the Prince of Wales Theatre&#8217;s subterranean Delfont Room, the answer was obvious: hear Hannah Waddingham sing.
Life, [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>CRACKING THE WHIP</title>
		<link>http://blog.theaternewsonline.com/index.php/2009/03/22/cracking-the-whip/</link>
		<comments>http://blog.theaternewsonline.com/index.php/2009/03/22/cracking-the-whip/#comments</comments>
		<pubDate>Sun, 22 Mar 2009 16:00:49 +0000</pubDate>
		<dc:creator>Matt</dc:creator>
				<category><![CDATA[London Theatre Reviews]]></category>
		<category><![CDATA[Judi Dench]]></category>
		<category><![CDATA[Michael Grandage]]></category>

		<guid isPermaLink="false">http://blog.theaternewsonline.com/index.php/2009/03/22/cracking-the-whip/</guid>
		<description><![CDATA[Britain has some very brave senior actors, though you wouldn&#8217;t necessarily know it if you followed the British critical community. On March 18, Judi Dench, now 74, opened on the West End for the first time in three years to play the mother of the title character in Yukio Mishima&#8217;s Madame de Sade. General exultation [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>MOURNING BECOMES NATASHA</title>
		<link>http://blog.theaternewsonline.com/index.php/2009/03/22/mourning-becomes-natasha/</link>
		<comments>http://blog.theaternewsonline.com/index.php/2009/03/22/mourning-becomes-natasha/#comments</comments>
		<pubDate>Sun, 22 Mar 2009 15:22:11 +0000</pubDate>
		<dc:creator>Matt</dc:creator>
				<category><![CDATA[London Theatre Reviews]]></category>

		<guid isPermaLink="false">http://blog.theaternewsonline.com/index.php/2009/03/22/mourning-becomes-natasha/</guid>
		<description><![CDATA[Appreciations of the late Natasha Richardson continue to pour in, the British ones focusing understandably
on the film work of the 45-year-old actress who died suddenly and tragically earlier this week and on her dynastic status as perhaps the most shining of numerous heirs to the Redgrave talent. New York, meanwhile, has commemorated Richardson in quite [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>GOING GOING GONG!</title>
		<link>http://blog.theaternewsonline.com/index.php/2009/03/15/going-going-gong/</link>
		<comments>http://blog.theaternewsonline.com/index.php/2009/03/15/going-going-gong/#comments</comments>
		<pubDate>Sun, 15 Mar 2009 17:18:01 +0000</pubDate>
		<dc:creator>Matt</dc:creator>
				<category><![CDATA[General]]></category>
		<category><![CDATA[London Theatre Reviews]]></category>

		<guid isPermaLink="false">http://blog.theaternewsonline.com/index.php/2009/03/15/going-going-gong/</guid>
		<description><![CDATA[If the Laurence Olivier Awards are handed out and no one is around to hear them, do they make a noise? That thought kept occurring to me during the 34th annual gong-giving knees-up March 8, a great evening that will remain the largely exclusive preserve of those who were there. Some of those involved were [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>MUCH ADO ABOUT DURHAM</title>
		<link>http://blog.theaternewsonline.com/index.php/2009/03/08/much-ado-about-durham/</link>
		<comments>http://blog.theaternewsonline.com/index.php/2009/03/08/much-ado-about-durham/#comments</comments>
		<pubDate>Sun, 08 Mar 2009 15:22:16 +0000</pubDate>
		<dc:creator>Matt</dc:creator>
				<category><![CDATA[General]]></category>
		<category><![CDATA[London Theatre Reviews]]></category>

		<guid isPermaLink="false">http://blog.theaternewsonline.com/index.php/2009/03/08/much-ado-about-durham/</guid>
		<description><![CDATA[It was the National Theatre&#8217;s inestimable artistic director, Nicholas Hytner, who quite rightly advised theater critics several years ago to get out more, by which he meant, Go to the opera and ballet, see films and listen to music, since all these activities inform our weekly immersion in the theater. How right he is. But [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>GENDER SPECIFIC</title>
		<link>http://blog.theaternewsonline.com/index.php/2009/03/08/gender-specific-2/</link>
		<comments>http://blog.theaternewsonline.com/index.php/2009/03/08/gender-specific-2/#comments</comments>
		<pubDate>Sun, 08 Mar 2009 14:18:01 +0000</pubDate>
		<dc:creator>Matt</dc:creator>
				<category><![CDATA[General]]></category>
		<category><![CDATA[London Theatre Reviews]]></category>

		<guid isPermaLink="false">http://blog.theaternewsonline.com/index.php/2009/03/08/gender-specific-2/</guid>
		<description><![CDATA[I&#8217;m the first to nod in agreement when women directors chafe at articles that inevitably lump them all together. We are directors who happen to be women, they are quick to reply, not Women Directors (capital letters mine). And yet, I couldn&#8217;t help but feel that gender makes a discernible difference &#8211; and thrillingly so [...]]]></description>
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